The Plot Bunny Farm

Death in the Spires, K.J. Charles. An excellent historical mystery, straddling the turn of the nineteenth century into the twentieth. Years ago, an Oxford student was murdered in his room; thanks to one small detail of this case, the surviving members of his group of friends know that one of their number must have done it. But no one has ever been convicted.

The detail in question felt slightly contrived to me, but I accept it as the set-up for what is otherwise an engaging story about personal relationships. The novel proceeds in two parallel tracks, one building up the history of these friends at university, the other showing what's become of them since the murder. It does the thing a dual-timeline novel needs to do, which is keep suspense around the past: yes, we know who's going to get murdered, but the lead-up to that matters quite a lot, first as we see how this group coalesced into such brilliance they were nicknamed the "Seven Wonders," and then as we see how things fell apart to a degree that you can form plausible arguments for basically anybody being the murderer. (I say "basically" because it's deeply unlikely that the protagonist, who is digging back into the case against the advice of everyone around him, is the killer. There are stories that would pull that trick, but this never pretends it's one of them.)

I found the ending particularly gratifying. The past sections do enough to make you like and sympathize with the characters that finding out who's responsible is genuinely a fraught question; once the answer comes out, there's a deeply satisfying sequence that tackles the question of what justice ought to look like in this situation -- for more than one crime. Those who deserve it wind up with their bonds of friendship tentatively healing after years of rift. I got this rec from Marissa Lingen, and she tells me there will be a sequel; I look forward to it enormously.

( Read more... )

Well over a decade ago, I first had the idea of reprinting my short fiction in little collections themed around subgenres. When I sat down to sort through my existing stories, I found they fell fairly neatly into six buckets, each at or approaching roughly the cumulative size of a novella: secondary-world fantasy, historical fantasy, contemporary fantasy, stories based on folktales and myths, stories based on folksongs, and stories set in the Nine Lands.

Five of those six collections have been published so far: Maps to Nowhere, Ars Historica, Down a Street That Wasn't There, A Breviary of Fire, and The Nine Lands. The sixth is coming out in September, but it's not surprising, given the balance of what I write, that secondary-world fantasy has lapped the rest of the pack -- more than once, actually, since The Nine Lands is also of that type (just all in a single world), and also my Driftwood stories hived off to become their own book.

So yes: as the title and the cover design suggest, The Atlas of Anywhere is a follow-on to Maps to Nowhere! Being short fiction collections, they need not be read in publication order; although a few settings repeat (both of them have a Lady Trent story inside, for example), none of the stories are direct sequels that require you to have read what came before. At the moment it's only out in ebook; that is for the completely shameless reason that replacing the cover for the print edition later on would cost me money, and I have my fingers crossed that in about two months it will say "Hugo Award-winning poem" rather than just "Hugo Award-nominated." ("A War of Words" is reprinted in here: my first instance of putting poetry into one of these collections!) But you can get it from the publisher, Book View Cafe; from Apple Books; from Barnes & Noble; from Google Play; from Kobo; from Indigo; or, if you must, from Amazon in the UK or in the US (that last is an affiliate link, but I value sending readers to other retailers more than I do the tiny commission I get).

Now, to write more stories, so I can put out another collection later!