eimarra: (Default)
The publisher to whom I sent the partial for my mystery novel (The Christmas Tree Farm Murders) has asked to see the full!

My apologies to those of you who already saw the news on Facebook. Or Twitter. Or both. I'm just really excited. This was the first time I had the courage to actually submit a novel. I know a request for a full is no guarantee, but it's definitely a step in the right direction.

Also, since I was in a rather negative frame of mind when I saw the SASE in the mail, I was expecting it to be a form reject. Thus, my excitement is even more pronounced. As my husband said, I'm having a bipolar day -- very bad news, very good news.
eimarra: (Default)
It sounds so lovely. We get better with practice. The more we write, the more we edit, the better we get.

It has its downside, though.

Earlier this year, I edited (rather too quickly, I'd say) my 2004 NaNo project, Christmas Tree Farm Murders. Both Val and [livejournal.com profile] bonniers critted it for me.

Five years.

Having read through both of their crits, I can say that the best option for this book might be to start a new file and rewrite it from scratch. I've improved a lot in the past five years, and a new draft would need a lot less work than the editing that the current one needs.

I find this depressing. Not that I've improved -- that's good. But I've already written this, and I don't want to start over. So am I better served chopping it to bits and effectively rewriting each scene and adding new ones anyway, redrafting it from scratch, or moving on to something else entirely?

I don't know.

No decision will be made this week. I was, however, planning to edit for October. If I'm not working on Christmas Tree Farm, I suppose that means diving into the hard work for Pepper's edit. At least that's only two years old.

Edit: For the record, I'm not complaining about their crits. They were both spot on.

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